Date Published: April 20th, 2021
Publisher: Zither Studios
A nutty religious cult abducts a herd of prime gazebos (huh?) and it’s up to bumbling P.I. Mars Candiotti to rescue them. Mars, aspiring author, chronicles his quest in Jeffrey Hanlon’s comic mystery Zither.
Guided by his magically prescient IHOP waitress, Mars strives to mitigate the shocking global consequences of the gazebo heist, even though he has no idea what the word mitigate means. Mars has five Important clues with which to solve his confounding mystery: Butterscotch, John Travolta, Trombones Venetian Blinds, and Wind Chimes.
As Zither swallows its own tale, Mars finds it increasingly tricky to distinguish between real people and his rambunctious fictional characters. Zither becomes the romper room where his reality meets fantasy – and get frisky with each other.
Using his (odd) clues, Mars’ international odyssey leads to an explosive conclusion in Panama. TVs around the world tune in to watch live coverage of “Carnage in the Canal”.
Amid the lunatic havoc that is Zither there is (of course!) an epic love story as Mars meets Marian, the brainy librarian he had dreamed of. Marian says his books are “slapstick existentialism with subjective reality couched in parable”. (This is news to Mars). But is Marian real?
Is any of it real?
“Hanlon’s humor shines bright and will leave fans of such madness wanting more.” Publishers Weekly
“This zany, rollicking mystery adventure is as compelling as it is hilarious.” Independent Book Review
Nominated for the prestigious Audie Award, Best Fiction 2021
About the Author
I was born in a Southern California beach town.
As nightfall approached, we prepared.
Pete disguised himself as management, putting on a nice Men’s Wearhouse suit with a bleeding turnip lapel pin.
I disguised myself as Britney Spears.
At the stroke of midnight, Pete and I left his house, which is and headed for the St. Francis Yacht Club.
As contrived luck would have it, Benny Tisdale had left the cabin on his dumb boat unlocked.
In stealthy fashion, Pete and I went below.
“I’ll shine the flashlight and listen for footprints. You find the varnish,” Pete said.
It took no time at all to find Benny’s Man O’ War. Actually, it took a bit of time, but you know what I mean.
As Pete held the light, I donned my surgical gloves and placed Benny’s Man O’ War in my black op bag.
“Easy as taking candy from a drowning man,” Pete whispered.
Pete said, “It’s dark in here, Mars. If you’re going to nod, warn me so I can shine the flashlight on your head.”
“Okay, Pete. We’ll make that a new rule.”
As we prepared to exit in stealthy fashion, Pete shined his flashlight around the cabin, then said, “Mars, look at this big wooden crate.”
I looked at the wooden crate. It was big enough to hold a Barcalounger.
“I’ll bet it’s filled with ill-gotten booties,” Pete said. “Or a Barcalounger.”
He handed me the flashlight and pried open the crate’s lid with a crowbar.
It was not until some time after dark that we took courage to get up and throw the body overboard. It was then loathsome beyond expression, and so far decayed that, as Peters attempted to lift it, an entire leg came off in his grasp . . .
“Peters?” Pete said. “Do you mean Pete? Me? What body? What leg?”
“Sorry. That’s Edgar Allen Poe, The Narrative of Arthur Gordon Pym.“
“What’s Poe doing in this chapter?”
I shined the flashlight on my shoulder and shrugged.
He snatched the light back, looked in the crate, and said, aghast, “We’ve gotta get outta here quick, Mars! This boat could blow any minute!”
I looked inside the big wooden crate.
Here is what was in there: hundreds, probably thousands, of Steven Seagal movies.
We’d be lucky to get out of there alive.
Seagal movies have a tendency to bomb.